* HUMAN/ANIMAL HYBRID EMBRYOS ARE 'EASY' TO MAKE:
By Charlotte Maden:
The creation of human/animal admixed or 'hybrid' embryos is happening at a rapid rate, according to the experts developing them at Newcastle University, who say that the process is easier than they initially thought.
Speaking at the BIO biotechnology conference in San Diego last week, Dr Lyle Armstrong, leader of the human/animal hybrid embryo project, explained that the technique of inserting genetically empty cow eggs with human DNA from skin cells has already produced about 270 hybrid embryos. No other research group in the world has spoken of producing these embryos on such a large scale. 'We might be able to get eight to 10 human oocytes [eggs] of sufficient quality per month', Armstrong told the Financial Times newspaper. 'We can get 200 cow eggs a day from the local meat industry', he added.
The process was developed with the intention of overcoming the shortage in supply of human eggs for the production of stem cells, which are subsequently used for research into a wide range of currently incurable diseases, such as diabetes, strokes and Parkinson's. Amid intense opposition from religious groups and pro-life lobbies, Armstrong insists that the creation of these embryos is ethically sound. 'The embryos are mostly self-regulating, because they arrest naturally at 32 cells - which is quite good from an ethical point of view', he said, adding: 'There is no way these embryos could develop into a foetus'. The law does not permit the development of a hybrid embryo beyond 14 days.
Until now, the Human Fertilisation and Embryology Authority (HFEA) granted permissions to research such as this on a case-by-case basis, since no existing law was applicable to it. However, the new Human Fertilisation and Embryology Bill is expected to pass through Parliament shortly and looks likely to provide a firm legal basis for hybrid embryo research. In January, the House of Lords refused to reject clauses in the bill that allow the research, despite pressure from opponents, and last month, MPs voted down a bid to ban human admixed embryo research by 336 to 176 votes and another to ban true hybrids by 286 to 223 votes.
- The Financial Times 20/6/2008 'Scientists find hybrid embryos easy to make'
- The Financial Times:
- Life Site News 20/6/2008 'U.K. Researcher: Creation of Human/Animal Hybrid Embryos is Easier than Expected'
- Life Site News:
- UK Trade and Investment 20/6/2008 'UK university's success with hybrid embryos'
- UK Trade and Investment:
Monday, 23 June 2008
Thursday, 12 June 2008
The first two are made by layering different focal points on the same slide of brain tissue - the second is again, cellular damage caused by an STD from a cervical smear, I go through a similar process of layering different focal points from one slide, using symmetry and some colour manipulation to make the images.
Tuesday, 3 June 2008
"Théâtre de poche", 2007
Video Still, Video HD
Courtesy STORE and the artist
THE GREAT TRANSFORMATION –
ART AND TACTICAL MAGIC
June 7 - September 7, 2008
Opening: June 6, 2008, 7 pm
Steinernes Haus am Römerberg,
Markt 44, 60311 Frankfurt am Main, Germany
The group exhibition 'The Great Transformation' presents works by a group of international artists who are interested in magic as a semiotic exercise. The show sets out to document a new interest that contemporary art production has taken in magic and the occult. Magic is presented here as a 'tactical' subject that can help us to understand the role of the artist and that of the viewer as a participant in the production and mediation of knowledge.
Beside works of well-known artists such as Allen Ruppersberg and Mike Kelley, 'The Great Transformation' presents numerous works of younger artists, who will develop new works for this exhibition. The artists articulate how magic can be employed as a methodology with a critical potential to challenge our views on society and notions of communication. Through a subject like magic, we gain a new perspective into the organization of social space, into the existence of grey zones between the rational and the irrational. In search of new ways of seeing and new channels for communication and cultural action, contemporary art production is conscious of the present ideological difficulties that deal with magic or the occult.
The Berkeley-based art collective 'Center for Tactical Magic' (CTM), founded by Aaron Gach, for example, aims to activate energies towards "positive social transformation" with the help of community-based projects and workshops in the public sphere. The direct involvement of the audience plays a significant role for this group of activists. Using practical aspects of 'tactical magic' as a fusion of different forces, CTM actively addresses individual, collective and transnational communities.
The French artist Aurélien Froment investigates disparate personal portraits and refers to aspects of magic and analyses special professional skills of handling images. Froment’s film Théâtre de poche, which was produced in November 2007 is linked to a comprehensive book project. In the film a magician introduces a series of card tricks and pictures, which seem to hover in a black environment. In the same way in which the magician is shifting his photos, cards and pictures above an invisible area, he and his surrounding become displaced on an imaginary axis in the film.
The works featuring in 'The Great Transformation' confront the spectator less with the visible but rather with the sensual and intuitive. The exhibition thus establishes a narrative of various possibilities for
'The Great Transformation - Art and Tactical Magic' features works by Jonathan Allen, Marcel Breuer, Center for Tactical Magic, Erich Consemüller, Roberto Cuoghi, Claire Fontaine, Aurélien Froment, Mike Kelley, Joachim Koester, Maria Loboda, Goshka Macuga, Michele di Menna, Eduardo Navarro, Olivia Plender, ride.1, Allen Ruppersberg, Kerstin Stoll, Joanne Tatham & Tom O'Sullivan, Banks Violette and Adrian Williams.
The exhibition has been produced in collaboration with MARCO, Museo de Arte Contemporánea de Vigo, where it will be on view from September 19, 2008 to January 11, 2009.
SPONSORS: 'The Great Transformation' was made possible by the support of the American Center Foundation and by the Hessische Kulturstiftung. Partners of the exhibition are BDAP - bureau des arts plastiques, CULTURESFRANCE, Ambassade de France en République Fédérale d'Allemagne and The Danish Arts Foundation.
CATALOGUE: A catalogue with contributions by Lars Bang Larsen, Simon During and Chus Martínez will be published in German and English on the occasion of the exhibition.
VENUE: MARCO, Museo de Arte Contemporánea de Vigo (19 September 2008 - 11 January 2009).
CURATED BY: Chus Martínez (Director Frankfurter Kunstverein)
OPENING HOURS: Tuesday–Sunday, 11 am–7 pm
PRESS CONTACT: Julia Wittwer, Melanie Räuschel, phone: +49.69.219314–30/-40, fax: +49.69.219314–11, e-mail: firstname.lastname@example.org, http://www.fkv.de
(texts and images for download under PRESS)
Monday, 2 June 2008
I visited the Cooperage at Royal William Yard today - the cooperage is a potential site to film the project but also exhibit. Fantastic space! Look how big it is!
I am really interested in making the work where it will be shown...
I feel that there is massive potential to use the vast emptiness of this space and bring it into the work....its a beautiful site, strange cold architecture and symmetry.